Quotes from the Shelf

"There is nothing to writing. All you do is sit down at a typewriter and bleed." - Ernest Hemingway

Monday, 12 March 2012

Up in Smoke

Hey guys, here are two different versions of the same Sestina.  Which one do you think is better?  I'm interested to hear what you think.  Feel free to leave a comment.

Up in Smoke (Version 1)

Like the spear of some crumbling Grecian phalanx the cold
pen is held in his hand over pages that seem almost wet
with the wasted words of an hour’s worth of writing beside the fire.
As always, he faces that moment when the well runs dry
and those treacherous muses cease to sing their obliging music
and they fall, like so many leaves on the autumn lawn, irreverently silent.

Except for the crack within the iron hearth and his heartbeat, all is silent
in this house where every happy memory is a hallucination.  The cold
of the mahogany wood flooring against his feet makes his nerves tingle with music
as he rises and heads for the kitchen.  The emptiness left by the muses has wet
his appetite.  His skin feels chalky, as if his blood has been pumped, leaving him dry
and all his thoughts turn to the boss who came to him that morning looking for someone to fire.

As he returns to the study with an empty glass full of water, his eyes dance with the fire
and the idea comes to him, whispering in out of the omnipresent darkness, silent.
It is simple, elegant, a magnum opus that is sure to immortalize him like an otherwise dry
career has not, be it the business one he lost or the writing one that has remained eternally cold.
It is autumn, he recalls, and the air is crisp.  There has been no rain for weeks to make the house wet.
His writing is a failure and the need for it his undying tormentor.  But for him there shall yet be music.

He climbs the stairs and peeks through the door that creaks.  The music
rising from the bed, her constant breathing, reminds him of the fire
of their budding love begun nearly seven years past.  Tears make his eyes wet
as he realizes he cannot do this without her.  As he tip toes away he is silent
knowing that, were she awake, her words would be like a wind of bitter cold
snuffing out the flames of his truest inspiration.  His mouth quickly becomes dry

with expectation as he heads for the garage.  Never one to let his gas tank run dry
he has kept a supply of gasoline in bright orange cans behind his crates of music,
vinyl records collected over forty years of life.  Out here, they know only the cold
that awaits things forgotten and unable, by their nature, to adapt in the roaring fire
of life’s cauldron.  He works through the house for the next hour, sagacious in his silent
arrangements.  He covers couches, floors, and writing – oh, the writing! – until it is all wet.

Then, there is only the before.  The infinite and finite moment when the air seems wet
with the anticipation and the awareness of what must inevitably come next.  Dry
match meets soaked life, drenched dreams, so that  the air will no longer be silent
but erupt into a phantasmagoric display, multifarious with its ethereal music.
And even then, the splendour of it all begins to feel like too much for him.  But all fire,
the great red flower, is always more appealing to us, the frozen, who live the life of the cold.

So, onto the irrevocably wet floor he lets the match plummet to conduct the music
and the well that seemed to defeat him when dry now serves as the pit for the metamorphic fire
and his immortality is achieved in the silent smoke that rises, amalgamating all, out of the cold.


Up in Smoke (Version 2)

Except for the crack within the iron hearth and his heartbeat, all is silent
in this house where every happy memory is a hallucination.  The cold
of the mahogany wood flooring makes his nerves tingle with music
as he rises and heads for the kitchen.  The emptiness left by the muses has whet
his appetite.  His skin feels chalky, as if his blood has been pumped, leaving him dry
and all his thoughts turn to the boss who came to him that morning looking for someone to fire.

Now he is just another member of the unemployed.  There is no fire
strong enough to overcome the bitter ice that clogs his veins.  Silent
as the full moon that hangs like a misplaced eyeball in the sky, he finds dry
food stocked within his fridge.  He finds small comfort in the cold
air that laps against his meaty face and that distinct background thrum of music
only a fridge can make.  He grasps the water jug and feels wet

droplets of condensation break against his palm.  The pages on his desk are almost wet
with words but he tries not to think about them.  No doubt he’ll commit them to the fire
once he’s read them over.  The words are never good enough.  If there is an ethereal music
guiding great writers to their finest works then for him it has remained silent.
Like the spear of some crumbling Grecian phalanx, the pen sits dead and cold
in his hand, bringing him nothing.  He is empty and his well has remained perpetually dry.

And he begins to ask himself, what is the point?  His life has been nothing but a dry
leaf on the sidewalk, continuously crushed beneath the shoes of those passing.  Wet
laughter first filled the halls in high school then later in the office break room.  Cold
and indifferent stares.  Whispers:  Freak, loser.  They say cruelty ends after the fire
of high school, but it doesn’t.  It just recedes.  Becomes subtler.  Learns to work in silent
ways.  He remembers the history classes he loved, the way dates and ancient customs were like music

he couldn’t get out of his head.  Prometheus, bringing fire to mankind, Apollo, God of Music,
and also the God of the Sun.  He delved into the myths, loving the fantasy.  There were also dry
laughs from girls he’d fooled himself into asking out.  They would always laugh, laugh.  Silent
stares of horror were almost worse.  But not quite.  At least they felt bad.  Wet
spit balls getting stuck in his hair, swirlies to wash them out, the story circulating like wild fire.
Now, years later, he pours until he has a glass full of water but a house empty and cold.

And then the idea comes to him.  It whispers out of the omnipresent darkness like a cold
breath against his skin.  His hairs stand on end.  He may feel like a failed writer but there shall be music
for him, he realizes.  He steps back into the study and his eyes alight on the dancing fire.
It is simple, rooted in history, a magnum opus that is sure to immortalize him like an otherwise dry
career has not. It is autumn.  There has been no rain for weeks to make the house wet.
It will kindle nicely.  And he will be one with the phantasmagoric display.  Then he will laugh.  Silent

and sagacious, he goes about making the floors wet until they are ready for the music
and the well that was dry will now serves as the pit for the metamorphic fire
and he achieves immortality through immolation; all is silent as he puts an end to the cold.

1 comment:

  1. Yikes!
    I like version 1 best. It's sinister and poetic at the same time. Version 2 is a little bleak.

    ReplyDelete