Quotes from the Shelf

"There is nothing to writing. All you do is sit down at a typewriter and bleed." - Ernest Hemingway
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Saturday, 18 August 2012

Thirteen Ways of Looking at a Pigeon



I
Strutting down the sidewalk
and not retreating from me.
Cocky pigeon.

II
Fleeing before the Number 1
bus.  Flap like mad pigeon!
you forgot
your bus pass.

III
Front yard invasion.
What is so interesting?
Pigeons confuse me.

IV
Six pigeons in a circle
on Brunswick Street.
Not a NSCAD student in sight
to film, paint, or sculpt
this confab of wings.

V
Pigeon in the rain.
I’ll share my umbrella.

VI
I miss pigeons when the snow comes.

VII
If they were an Airborne Division
we would cower before
the pigeons’ gray, purple,
and turquoise colour scheme.

VIII
Maybe we should charge them
rent if pigeons are going to be
our sidewalk roommates.

IX
Thanks for inviting yourself
to the barbeque, pigeon.
We’re cooking a distant
cousin of yours.

X
Who talks this much
about pigeons?

XI
Pigeon eyes are like
googly eyes pasted
on Paper-Mache birds.
It unnerves me.

XII
The industrial revolution
brought more than people
in to crowd the cities.
The pigeon nuclear family
is alive and well.

XIII
Thirteen pigeons outside
a coffee shop.
Lucky or unlucky?
Let’s wait
and see if they attack.

Saturday, 11 August 2012

Three Limericks for Canadian Summers



The heat eats us up like the gas tank of a Hummer
And global warming seems like such a great big bummer.
We sweat and we toil,
Complain we will boil,
But come winter we’ll beg for the furnace of summer.

The suns fierce rays seem to be frying my brain
And I find my focus is hard to maintain.
Then I think of the Equator
Where the heat is no doubt greater
But a proud Canadian’s gotta complain.

Up in the sky, our Oppressor has shone
As I lie sprawled in the grass on the lawn.
And I know the day will come,
And it’ll make me feel glum,
When that lovely gold Oppressor has gone.

Saturday, 7 July 2012

The Salamander


The salamander runs on crooked legs through the city
welcome and applauded thanks to minds eager for fireworks.
It does not need to hide in the shadows, forcing its
opponents to seek shelter there instead.

The dim glow of a reading light beneath the covers
illuminates black text inked into nutmeg scented paper
thin as the breath between my teeth as I absorb
more than the sum of the words but the sum of the ‘I’.

The salamander is our hero, the best friend of bliss.  It alone
can promise not to compromise smiles with unfiltered reality.
Its tongue darts faster than the eye can follow and before long
Huck is off his fence and the white paint has spilled over everything.

Somewhere far off a siren wails but it is as if it is in another
land far beyond my reach.  Blinking becomes an infuriating
necessity that delays my overcharged brain’s feast.  I engorge
myself on literature.  Asimov, Orwell, Tolstoy, and Stein.

The salamander hunts without tire.  It compromises the machine,
the printing and the printers, the publishers and the published.
Talons work from the inside, pushing the former gods out
and replacing them with fifty shades of hollow replicas.

Montag flees the Hound, McMurphy suffocates beneath
the pillow.  And the I beneath the sheets sweats and feels visceral
and finds on every page I and I and me and I.  The pages
are soaked in humanity as I am soaked in humanity evermore.

The salamander is my enemy.  The salamander sniffs the air with
its tongue and looks for me.  It fears me knowing my I.  It fears
others knowing theirs.  It wants us to smile and laugh until we
can’t be anything else.  The salamander burns away the I in us.

The fires are already burning.  I seek to douse them in ink.

Wednesday, 27 June 2012

Inspiration


I lie on my bed with my fingers poised,
Hovering over a keyboard, waiting for that clicking noise.
But words do not spring to my finger-tips today
And I search all around me for something to say.

Tree leaves flutter against light afternoon wind
And a gray layer of clouds refuses to be thinned.
Engines hum as cars drift on by
And birds chirp faintly as they touch the sky

Bed springs knot and ping as I shift my view
To look at shelves of books whose numbers are not few.
DVDs and movies rest on brown wooden shelves,
Testaments to our attempts to entertain ourselves.

Then, a white doorway leading out to the hall
Followed by a closet, a backpack, and a deflated football.
My desk rests in shambles, debris piled up high.
I can never keep it clean, as much as I might try.

Inspiration is tough to come by, sitting on your bed.
I have a laptop, and keys, but nothing in my head.
The dark enemy is writer’s block, holding me back.
But maybe the answer lies in a folded laundry stack.

We search this wide world, for some new stimulation,
Feeling ourselves lost in some unholy stagnation.
But, inspiration can be found in the glint of window glass
In the heart of a loved one, in the smell of newly cut grass.

We call out for something to unhinge our emotions
But sometimes one only needs the simplest of notions.
I can feel the cool breeze drifting over from the ocean,
A call of inspiration for many a Nova Scotian.

So, good-bye to writer’s block holding me down.
I can find my afternoon muse in what is around.
The rustle of curtains, the dust on the shelf,
These are all I need to inspire myself.

Monday, 25 June 2012

Forgetting



Beneath my fingers and thumbs
the flat keys wait, lifeless and still.

Heaney rode backwards through time, riding
on the memories of father and grand-father,
for the past was his concern, not the future.

But I will look forwards to the times of my children
and my children’s children, to how the world will change
and how the words and the writing will change
as technology advances.

Will my children write essays snug in their beds,
with eye strain caused by hours gazing at their iPads,
breeding a need for prescription eye-glasses?
Will they remember paper and pen
or will those be relics of the ancient world of their father?

You may laugh at the thought, but we have iPhones and Kobo ereaders
and even Bluetooth control for our cars.

Will my grandchildren think their words and watch them
spread across the holographic screen, bringing new meaning
to stream of consciousness writing?  Will they even know
what foolscap is?  Or lead pencils?  Or pink erasers?
Or will writing have passed out of style with a new medium
rising to illustrate the need for story and word
to express the interior thoughts and emotions
of this race of humans, flawed but fixed by tech.

How will my children write?  Will my grand-children write?
By the time my great-grand-children are born will they be a part
of a world that has forgotten the pen and the pencil
that allowed us to express ourselves with this written, divine language?

Beneath my fingers and thumbs
the flat keys wait.
What will I choose to remember with them?

Friday, 22 June 2012

Atlas Tripped


“I think we should stay in Europe but all the politicians who destroyed this country should leave.”
-          Katerine Apostolaki, 20, Student

Fire reflects off of shields held high
as soldiers march like Marathon remembered.
But they grip shields of polycarbonate
instead of ones made of iron and bronze.
They are no Spartans, though valiant they may be,
for there is no glory to be found here.
No Simonides lives now to write an epigram
for the epitaph of a nation.  Besides,
the coffers are too bare to spare
the (useless) coin needed to commission
such a project.  Oh, woe to the west
where anyone can be at the scene
of the dust and the smoke and the rage
simply by turning on their phone
and googling a nightmare half a world
away.  It is possible to look but impossible
to see.  As in an age long past
there are three hundred who stand
against an onslaught numbered
in the billions (of euros).  Three hundred
representatives attempting to preserve
posterity (and posterior) with austerity.



(http://www.theglobeandmail.com/report-on-business/international-news/amid-flames-greek-parliament-approves-crucial-austerity-bill/article2335517/?utm_medium=Feeds%3A%20RSS%2FAtom&utm_source=World&utm_content=2335517)

Sunday, 15 April 2012

Deucalion

While driving passed the Larry Uteck exit
I spy a rising column of smoke stabbing
it’s way upwards over the tree tops.  I do
a double take as I see the mushroom cloud
has unfolded like an umbrella over Halifax.
I struggle to reconcile what I know to be
impossible with what my eyes see.  It’s only
later, once I’ve gotten closer, that I realize
the smoke is coming from the candy-cane
smoke stacks in Dartmouth, belching their
smoggy waste into the cold mid-day air.
But the image shakes me still.
 
I am reminded of Victor Frankenstein.  His ambition
birthed a monster that he couldn’t take back.
Shelley had another title in mind for
her famous work.  The Modern Prometheus
still lives today, bringing fire that hiccups
haze into the air I breathe.  I am a child
of the Modern Prometheus.  So,
does that make me the monster?

I keep driving and turn onto Connaught
but suddenly all I can see are rising streams
of choking fog from car after car after
car.  And then my mind drifts up too
and crosses province after province, country
after country, seeing all the hundreds
of thousands of cars, each with its own little
fire whispering smog coated lullabies
to the Earth.  Prometheus brought us fire.
Frankenstein, like our parents, brought it
to life.  Now we are one and the same.  We are
the sons and daughters of the Modern Prometheus.
We are the monster.

Friday, 6 April 2012

Monday, 19 March 2012

Sore


Alarm                    no, please, five more minutes

drag       out this fleeting comfort

                Alarm.  Not enough,                       never enough time is gained

by five minutes of sour disappointment.

                I lurch outwards               strong sudden moves

are the only way to commit myself

to the morning.                                Oh!  Sleep does                not

                relinquish its hold so easily, like chains

hung round the neck.       Pain lances through tendons

                                sore, so sore.



I am up, slapping the alarm with one hand,

                massaging my neck with the other.  I stumble

around, eyes blearing with longing

                                for hours needed and denied.  I quickly get my chaise

on and slump into my desk chair.  But no

                amount of massaging is sufficient to free

                                my neck from jealous sleeps revenge.

       I don’t want to go, but I must, things to do, a whole ros-

                                -ter; to that end I lift my weary frame

and proceed upstairs to searing hot streams



                of water ejected from a shower head.  Ribbons

of water sluice down my frame.  I tilt my neck into the

welcoming spray and let it knead my tightened muscles.

                Steam clears my befuddled mind and I shove my

face into the spray, letting it wash over my eyes and clear

the smog of sleep.  Sweet coherence!  Shaking off the

                brutal taxation of sleep on me.  So good, so coveted,

and so cumbersome.  With reluctance, the shower ends,

and towels dry me down.  The day is ahead and ready now

but the soreness will not really be shaken until sleep come again.

Friday, 16 March 2012

Eating Together


Thin porcelain plates reflecting chandeliered light bulbs,
Cracked plastic cups filled with filtered water,
Utensils lain adjacent on woven place mats,
Light brown cork boards topped by tonight’s dishes,
Steam hovering lightly over peanut-butter wood;
Six mismatched chairs for five murmuring stomachs,
Faded white rimmed door smeared by sunlight,
Dulled blue-white tiles lost in symmetry;
Peeled potatoes and grilled pork chops,
Sautéed onions and scattered green peppers,
Barbequed chicken breast and boiled asparagus,
Vibrant corn and richly wrinkled peas;
Five family members sitting down together,
Eating together so we aren’t eating alone,
Eating together so that we can eat alone.

Monday, 12 March 2012

Up in Smoke

Hey guys, here are two different versions of the same Sestina.  Which one do you think is better?  I'm interested to hear what you think.  Feel free to leave a comment.

Up in Smoke (Version 1)

Like the spear of some crumbling Grecian phalanx the cold
pen is held in his hand over pages that seem almost wet
with the wasted words of an hour’s worth of writing beside the fire.
As always, he faces that moment when the well runs dry
and those treacherous muses cease to sing their obliging music
and they fall, like so many leaves on the autumn lawn, irreverently silent.

Except for the crack within the iron hearth and his heartbeat, all is silent
in this house where every happy memory is a hallucination.  The cold
of the mahogany wood flooring against his feet makes his nerves tingle with music
as he rises and heads for the kitchen.  The emptiness left by the muses has wet
his appetite.  His skin feels chalky, as if his blood has been pumped, leaving him dry
and all his thoughts turn to the boss who came to him that morning looking for someone to fire.

As he returns to the study with an empty glass full of water, his eyes dance with the fire
and the idea comes to him, whispering in out of the omnipresent darkness, silent.
It is simple, elegant, a magnum opus that is sure to immortalize him like an otherwise dry
career has not, be it the business one he lost or the writing one that has remained eternally cold.
It is autumn, he recalls, and the air is crisp.  There has been no rain for weeks to make the house wet.
His writing is a failure and the need for it his undying tormentor.  But for him there shall yet be music.

He climbs the stairs and peeks through the door that creaks.  The music
rising from the bed, her constant breathing, reminds him of the fire
of their budding love begun nearly seven years past.  Tears make his eyes wet
as he realizes he cannot do this without her.  As he tip toes away he is silent
knowing that, were she awake, her words would be like a wind of bitter cold
snuffing out the flames of his truest inspiration.  His mouth quickly becomes dry

with expectation as he heads for the garage.  Never one to let his gas tank run dry
he has kept a supply of gasoline in bright orange cans behind his crates of music,
vinyl records collected over forty years of life.  Out here, they know only the cold
that awaits things forgotten and unable, by their nature, to adapt in the roaring fire
of life’s cauldron.  He works through the house for the next hour, sagacious in his silent
arrangements.  He covers couches, floors, and writing – oh, the writing! – until it is all wet.

Then, there is only the before.  The infinite and finite moment when the air seems wet
with the anticipation and the awareness of what must inevitably come next.  Dry
match meets soaked life, drenched dreams, so that  the air will no longer be silent
but erupt into a phantasmagoric display, multifarious with its ethereal music.
And even then, the splendour of it all begins to feel like too much for him.  But all fire,
the great red flower, is always more appealing to us, the frozen, who live the life of the cold.

So, onto the irrevocably wet floor he lets the match plummet to conduct the music
and the well that seemed to defeat him when dry now serves as the pit for the metamorphic fire
and his immortality is achieved in the silent smoke that rises, amalgamating all, out of the cold.


Up in Smoke (Version 2)

Except for the crack within the iron hearth and his heartbeat, all is silent
in this house where every happy memory is a hallucination.  The cold
of the mahogany wood flooring makes his nerves tingle with music
as he rises and heads for the kitchen.  The emptiness left by the muses has whet
his appetite.  His skin feels chalky, as if his blood has been pumped, leaving him dry
and all his thoughts turn to the boss who came to him that morning looking for someone to fire.

Now he is just another member of the unemployed.  There is no fire
strong enough to overcome the bitter ice that clogs his veins.  Silent
as the full moon that hangs like a misplaced eyeball in the sky, he finds dry
food stocked within his fridge.  He finds small comfort in the cold
air that laps against his meaty face and that distinct background thrum of music
only a fridge can make.  He grasps the water jug and feels wet

droplets of condensation break against his palm.  The pages on his desk are almost wet
with words but he tries not to think about them.  No doubt he’ll commit them to the fire
once he’s read them over.  The words are never good enough.  If there is an ethereal music
guiding great writers to their finest works then for him it has remained silent.
Like the spear of some crumbling Grecian phalanx, the pen sits dead and cold
in his hand, bringing him nothing.  He is empty and his well has remained perpetually dry.

And he begins to ask himself, what is the point?  His life has been nothing but a dry
leaf on the sidewalk, continuously crushed beneath the shoes of those passing.  Wet
laughter first filled the halls in high school then later in the office break room.  Cold
and indifferent stares.  Whispers:  Freak, loser.  They say cruelty ends after the fire
of high school, but it doesn’t.  It just recedes.  Becomes subtler.  Learns to work in silent
ways.  He remembers the history classes he loved, the way dates and ancient customs were like music

he couldn’t get out of his head.  Prometheus, bringing fire to mankind, Apollo, God of Music,
and also the God of the Sun.  He delved into the myths, loving the fantasy.  There were also dry
laughs from girls he’d fooled himself into asking out.  They would always laugh, laugh.  Silent
stares of horror were almost worse.  But not quite.  At least they felt bad.  Wet
spit balls getting stuck in his hair, swirlies to wash them out, the story circulating like wild fire.
Now, years later, he pours until he has a glass full of water but a house empty and cold.

And then the idea comes to him.  It whispers out of the omnipresent darkness like a cold
breath against his skin.  His hairs stand on end.  He may feel like a failed writer but there shall be music
for him, he realizes.  He steps back into the study and his eyes alight on the dancing fire.
It is simple, rooted in history, a magnum opus that is sure to immortalize him like an otherwise dry
career has not. It is autumn.  There has been no rain for weeks to make the house wet.
It will kindle nicely.  And he will be one with the phantasmagoric display.  Then he will laugh.  Silent

and sagacious, he goes about making the floors wet until they are ready for the music
and the well that was dry will now serves as the pit for the metamorphic fire
and he achieves immortality through immolation; all is silent as he puts an end to the cold.

Sunday, 4 March 2012

The Ant Colony

I can sit idly by and try to ignore them no more,

As they march obscenely across the wooden floor.

Here I am, trying to play my PS3,

And I’m worried about these ants crawling over me.

Their small little forms can’t help but get on my nerves,

And if I kill them there are just more in reserve.

Damnation! Frustration! Curses and cussing!

These are barely visible insects we’re discussing!

They irritate me so as they crawl across my toes,

And the darndest thing is that not one of them knows.

They are oblivious to my anger as I stomp about,

Calm in the face of my anger as I bustle and shout.

I take slow deep breaths, and try to control my rage,

But these ants are an infuriation I must engage.

I assemble my arsenal and slay every ant in sight,

But that won’t stop them from marching day and night.

Brave Men

I have come today to visit my father.
There are many who consider him a man most grave.
But if you know him as I did, like flowers
his love did grow for friends, strong as an oak.
He was a man of his age. He worked, hands in the dark,
until dusk, forehead speckled with sweat droplets.

I think I remember most well the droplets
dripping in the cylinder hanging by Father
as he lay, struggling. His eyes, like dirt,
stained by pain, seemed fixed on the grave
of his father. He told me once of the oak
that was his sign post across a field stripped of flowers.

There is a cruelty to the gift of flowers –
real ones, not imposters – petals like honey droplets
brimming with life. But they are not strong oak
but soft, easily crushed, seeming t mock my father
with their fragile life. Nurses, Doctors, look grave
as they whispered condolences that filled my mouth with dirt.

My mother still plants things in the dirt
where once his hands bled for red flowers
that brought light to her face, no longer stone grave.
My hand darts fast, casting away droplets
that well on my lashes as I look. Father,
tell me again the story of brave men, steel, and the oak?

Once, he built me a treehouse in the oak
overlooking the eastern hills of cold brown dirt.
His voice broke when he asked me if he was a good father
when he snuck me sweets. Syrupy, sugared flowers
that melted on my tongue into warm droplets.
Yes, I said, hush now. No relief, only eyes grave.

There is a special place we put his grave.
Beside brave men, beneath shade of Oak.
I feel a tap, and look up to Sky’s tear droplets
as it cries with me. Beneath my knees, dirt
becomes mud. I place them carefully. Flowers
I brought, I raised, proud, to show Father.

Now spattered with droplets is his stone grave,
slapping above Father, sliding down Oak.
But, up from the dirt will Autumn bloom new flowers.

Yellow Umbrella

The perfect protector from falling sky.

A drum being beaten by drops of rain.

A warrior braving liquid daggers.

A shield, resolute in its sole duty.

An eager and intimate guardian

sacrificing its own comfort for yours.

It’s not perfect, as no lover can be,

but it does what it can in rain and wind.

Its edges run with tears like meteorites,

but you can trust it will shelter your secret

beneath its yellow nylon cupola.

Fall

Plummeting headfirst, F, the upside down man,

begins his journey with limbs splayed

like paint on a Jackson Pollock.


Finally, he curls into a ball, tucked up tight.

He retreats to the comfort of the fetal position

wrapped in himself, around himself, with himself.


And then down, down, down he goes

where he stops the splatter shows.

It’s a matter of perspective whether or not


the fall is short or long. Does he clip

off the L swiftly to get to the end or does he hold it

as down, down, down he goes.